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26 wyników Filtruj
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W koszyku
Wielcy kompozytorzy i ich czasy / Michael Steen ; tł. Ewa Pankiewicz. - Poznań : Rebis, 2009. - X, 1102 s., [8] k. tabl. : il. (w tym kolor.) ; 24 cm.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
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Są egzemplarze dostępne do wypożyczenia: sygn. 78 (1 egz.)
E-book
W koszyku
Bach / Michael Steen. - [miejsce nieznane] : Icon Books : Legimi, 2014.
Forma i typ
Welcome to The Independent's new ebook series The Great Composers, covering fourteen of the giants of Western classical music. Extracted from Michael Steen's book The Lives and Times of the Great Composers, these concise guides, selected by The Independent's editorial team, explore the lives of composers as diverse as Mozart and Puccini, reaching from Bach to Brahms, set against the social, historical and political forces which affected them, to give a rounded portrait of what it was like to be alive and working as a musician at that time. Indisputably the greatest composer before Mozart, and for many, the greatest composer ever, Johann Sebastian Bach lived out his life in relative obscurity. It may seem incredible to us now, but during his own lifetime he was recognised primarily as an organ virtuoso, rather than a composer of genius. Fewer than a dozen of his compositions were published while he lived and, had not Mendelssohn started the revival of his music in the 19th century, his transcendently beautiful music might easily have been lost to us for ever. At the end of each of his cantata scores, Bach appended the initials SDG: Soli Deo Gloria, to the Glory of God alone. For him 'the aim and final end of all music should be none other than the glory of God and the refreshment of the soul'. Michael Steen follows the profoundly religious Bach through his tough upbringing, to his years of growing fame, replaced by gradual neglect as different fashions overtook his music. Bach's progress as a jobbing musician through the world of small 18th-century German territories was frequently hard and he often found himself out of step with the authorities. Steen explains the background of petty squabbles and the crushing workload against which Bach was to compose polyphony which fused absolute mathematics and absolute poetry; in Wagner's words, 'the most stupendous miracle in all music'.
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E-book
W koszyku
Beethoven / Michael Steen. - [miejsce nieznane] : Icon Books : Legimi, 2014.
Forma i typ
Welcome to The Independent's new ebook series The Great Composers, covering fourteen of the giants of Western classical music. Extracted from Michael Steen's book The Lives and Times of the Great Composers, these concise guides, selected by The Independent's editorial team, explore the lives of composers as diverse as Mozart and Puccini, reaching from Bach to Brahms, set against the social, historical and political forces which affected them, to give a rounded portrait of what it was like to be alive and working as a musician at that time. In this ebook Steen traces Beethoven's tumultuous life, buffeted by the violent cross-currents of the French Revolution and the Napoleonic wars which convulsed Europe from the end of the 18th century to the beginning of the 19th. Born in Bonn, Beethoven became a successful musician patronised by the aristocracy. Though scornful of social convention, he conquered Vienna, creating works which rewrote the rulebook for all the musical forms he touched. Irascible and argumentative, Beethoven was a troubled genius; frustrated by politics, exasperated by friends, foes, and family, and plagued by the gradual loss of his hearing which began when he was still in his 20s. While conflicts raged about him and within him, he constantly surprised people by doing the unexpected and staying fiercely independent. He was among the first to bring the piano to the fore rather than the harpsichord, as the larger sound could play along with the rest of the orchestra in a hall. Beethoven could always turn to his love of music even when ill-health led him to consider suicide, the wars devalued his earnings, and the love for his nephew Karl and the infamous 'Immortal Beloved' was never returned. Today he remains one of the world's best-loved composers.
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E-book
W koszyku
Bizet's Carmen / Michael Steen. - [miejsce nieznane] : Icon Books : Legimi, 2013.
Forma i typ
The Paris audience in 1875 was shocked by the sexually explicit realism of Bizet's exotic operatic masterpiece, its 'verismo' depiction of low life and brutal passion. But since the disastrous première – a sensational failure which hastened Bizet's premature death – it has been the greatest operatic success. It led to a film opera, a jazz opera, a rock ballet and a Broadway musical. Equally, it impressed great composers including Tchaikovsky, Brahms and Vaughan Williams. The story, written by Prosper Mérimée and adapted by librettists Meilhac and Halévy, is set in colourful Seville, in southern Spain, renowned for bullfights. The corporal Don José is seduced by Carmencita, a gypsy whore who works in a tobacco factory. With her Habanera (a Cuban dance like the tango) and Andalusian Seguidilla, she charms him, and escapes prison. She falls for Escamillo, a celebrity toreador associated with the famous tune Toréador en garde. Don José's Flower Song fails to win her for long. We visit the haunt of Seville's demi-monde, Lillas Pastia's bodega, and a gypsy encampment in the mountains, before José stabs Carmen outside the bullring. Written by Michael Steen, author of the acclaimed The Lives and Times of the Great Composers, 'Short Guides to Great Operas' are concise, entertaining and easy to read. They are packed with useful information and informed opinion, helping to make you a truly knowledgeable opera-goer, and so maximising your enjoyment of a great musical experience. Other 'Short Guides to Great Operas' that you may enjoy include Tosca, Madama Butterfly and Eugene Onegin.
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E-book
W koszyku
Brahms / Michael Steen. - [miejsce nieznane] : Icon Books : Legimi, 2014.
Forma i typ
Welcome to The Independent's new ebook series The Great Composers, covering fourteen of the giants of Western classical music. Extracted from Michael Steen's book The Lives and Times of the Great Composers, these concise guides, selected by The Independent's editorial team, explore the lives of composers as diverse as Mozart and Puccini, reaching from Bach to Brahms, set against the social, historical and political forces which affected them, to give a rounded portrait of what it was like to be alive and working as a musician at that time. It was Schumann who first hailed Brahms as 'the natural heir and successor to Beethoven', and that is how many have seen him since, although to Brahms himself it was something of a burden. With his devotion to classical precepts, he proved himself a master of all the major forms bar one. His four symphonies, his concertos, his vast body of chamber music, where discipline underpins the wonderful romantic harmonies, remain central to the repertoire. During his own life, it was the rapturous reception of his German Requiem which established him beyond all doubt. The only form he never attempted was opera, which would have been ill-suited to his virtues as a composer. Michael Steen shows how Brahms came to be raised up as the champion of traditional values against the new music of composers such as Liszt and Wagner, in one of the most bitterly fought controversies of the age. On tour as a young man from Hamburg, Brahms met the violin virtuoso Joachim, who introduced him to Schumann. During Schumann's period of insanity and especially after his death, Brahms developed a lifelong friendship with his widow, Clara. Steen chronicles his autumns teaching in Detmold, his passing loves, and eventual move to Vienna, where he would spend his winters, escaping to a variety of resorts to compose over the summer. He died at 63, still a bachelor.
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Britten's opera Peter Grimes is based on George Crabbe's horrifying poem The Borough about early 19th century Aldeburgh, a North Sea fishing town in East Anglia. Its premiere at Sadlers Wells in 1945, shortly after VE Day, was a landmark moment in British operatic history. Britten's partner Peter Pears – like Britten a pacifist and conscientious objector – was in the title role. Britten and Pears, together with Montagu Slater, a communist journalist, created the libretto.Grimes, a fisherman and sadistic child abuser, is a loner longing for social acceptance, and the wealth to marry the retired schoolmistress Ellen Orford. Britten, a homosexual whose circle included E.M. Forster and Christopher Isherwood, wanted to win sympathy for outsiders. Yet after Grimes has destroyed yet another apprentice, and himself committed suicide, life just goes on as usual in the bustling, hypocritical town. 'The Borough' has a pompous mayor, a typical pub landlady, a drunken Methodist, an ineffectual parson, a drug-addicted rich widow. A pub brawl and barn dance conceal the dark side of this community: its hysteria, its busybodies, its lynch-mob justice. The opera and its story, as depicted in Britten's evocative music, haunts the audience long after the curtain comes down. Written by Michael Steen, author of the acclaimed The Lives and Times of the Great Composers, 'Short Guides to Great Operas' are concise, entertaining and easy to read. They are packed with useful information and informed opinion, helping to make you a truly knowledgeable opera-goer, and so maximising your enjoyment of a great musical experience.Other 'Short Guides to Great Operas' that you may enjoy include La Bohème, Don Giovanni and Eugene Onegin.
Ta pozycja jest dostępna przez Internet. Rozwiń informację, by zobaczyć szczegóły.
Dostęp do treści elektronicznej wymaga posiadania kodu dostępu, który można odebrać w bibliotece.
E-book
W koszyku
Chopin / Michael Steen. - [miejsce nieznane] : Icon Books : Legimi, 2014.
Forma i typ
Welcome to The Independent's new ebook series The Great Composers, covering fourteen of the giants of Western classical music. Extracted from Michael Steen's book The Lives and Times of the Great Composers, these concise guides, selected by The Independent's editorial team, explore the lives of composers as diverse as Mozart and Puccini, reaching from Bach to Brahms, set against the social, historical and political forces which affected them, to give a rounded portrait of what it was like to be alive and working as a musician at that time. 'After playing Chopin, I feel as if I had been weeping over sins that I had never committed, and mourning over tragedies that were not my own.' In his typically perverse way, Oscar Wilde puts his finger on the fact that no one can capture a mood quite like Chopin. Where Liszt dazzles with technical virtuosity, Chopin's music concentrates on nuance and expressive depth. His ballades, nocturnes, preludes and etudes, and even those pieces based on dance forms, the waltzes, polkas and mazurkas, belong essentially to the salon (it is reckoned Chopin gave no more than 30 public concerts in his life). Yet his predominantly solo piano works, full of harmonic invention and poetic power, are universally acknowledged as a pinnacle of the repertoire. Frederic Chopin, though born in Poland, spent most of his adult life in France. Michael Steen follows his tragically short life from the early years in Warsaw and Vienna, to the Paris of the 1830s, the Paris of Rossini, Berlioz, Liszt and George Sand. Chopin's notorious affair with Sand, the outrageous free-thinking, trouser-wearing, smoking, female author, was a central feature of his life, but it ended bitterly. Strangled with tuberculosis, exhausted with coughing, he undertook a short visit to England and Scotland. Soon after returning to France, he finally yielded to the disease which had been gnawing away at him for so long.
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E-book
W koszyku
Great Operas / Michael Steen. - [miejsce nieznane] : Icon Books : Legimi, 2012.
Forma i typ
With four famous operas each from Mozart, Verdi and Puccini, and two each from Rossini and Donizetti, there is a feast of information. Here are short guides to The Marriage of Figaro and Don Giovanni; to the splendour of Aïda, the heart-breaking La Traviata; the drama of Tosca. The range is very broad. There is Wagner's great love story Tristan und Isolde; there is Johann Strauss's light comedy Die Fledermaus. On the way you can be briefed about such favourites as Handel's Giulio Cesare, Bizet's Carmen, Gounod's Faust, Tchaikovsky's Eugene Onegin and Britten's Peter Grimes. With plot summaries, composer biographies, observations on musical points of interest and background on the historical and cultural context of each opera, every one of these guides will enhance your appreciation and enjoyment and help you discuss the work and the performance with your fellow opera-goers. Steen shares his expert knowledge with a lightness of touch that makes each guide a pleasure to read. Witty, informative and beautifully presented, Great Operas is an indispensable reference guide for both seasoned opera-goers and those enjoying opera for the first time.
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E-book
W koszyku
Haydn / Michael Steen. - [miejsce nieznane] : Icon Books : Legimi, 2014.
Forma i typ
Welcome to The Independent's new ebook series The Great Composers, covering fourteen of the giants of Western classical music. Extracted from Michael Steen's book The Lives and Times of the Great Composers, these concise guides, selected by The Independent's editorial team, explore the lives of composers as diverse as Mozart and Puccini, reaching from Bach to Brahms, set against the social, historical and political forces which affected them, to give a rounded portrait of what it was like to be alive and working as a musician at that time. Haydn's long life spanned the transition between the baroque and the classical. Though sometimes called the 'father of the symphony', in reality he elevated the genre to an unprecedented degree of sophistication; his 104 symphonies still enchant today. His contribution to the quartet was similarly immense; he transformed it into what was to become the most expressive form of Western instrumental composition. Of the 90 still extant, the great musicologist Hans Keller deemed 45 of them 'absolutely flawless, consistently original master quartets'. Haydn's vast output included opera (not much heard today), keyboard and chamber music, masses and two oratorios. Yet this amazing inventiveness was achieved, for the most part, in the 30 years he spent closeted away in the fabulously rich Esterhazy palace 30 miles outside Vienna. 'There was no one near to confuse me, so I was forced to become original,' he said later. Michael Steen shows the young Haydn from his village beginnings becoming a chorister in Vienna, and his struggles when thrown on to the streets at seventeen, all played out against the backdrop of the glittering reign of Maria Theresa and the later upheavals of her son's reforms. From the relative security of the Esterházys' patronage, Haydn went on to become internationally famous, travelling twice to England. Friend to Mozart, teacher of Beethoven, Haydn died as Napoleon's troops rained down shells on Vienna.
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E-book
W koszyku
Mozart / Michael Steen. - [miejsce nieznane] : Icon Books : Legimi, 2014.
Forma i typ
Welcome to The Independent's new ebook series The Great Composers, covering fourteen of the giants of Western classical music. Extracted from Michael Steen's book The Lives and Times of the Great Composers, these concise guides, selected by The Independent's editorial team, explore the lives of composers as diverse as Mozart and Puccini, reaching from Bach to Brahms, set against the social, historical and political forces which affected them, to give a rounded portrait of what it was like to be alive and working as a musician at that time. In this ebook Steen describes the packed life of one of the greatest composers who ever lived, Wolfgang Amadeus Mozart. In his short life of almost 36 years, music poured from his pen. Symphonies, concertos, masses, chamber music tumbled out of him. By the age of fourteen he had already completed a staggering four operas, although it is for the later ones that he is revered as one of the greatest operatic composers ever. Yet the beauty of his instrumental music alone would have guaranteed his place in the pantheon of great composers. Born in 1756, in Salzburg, Austria, he was, famously, the infant prodigy whose cash flow potential had to be maximised before he grew up and ceased to be a novelty. The relentless touring he undertook as a small child – Munich and Vienna, a three-and-a-half-year trip to Paris and London, and trips to Italy – gave way to an adulthood where he was endlessly seeking a job and patronage in a perpetual struggle to make ends meet. Steen traces Mozart's poignant progression through an age of back-biting courtiers when a composer could not hope to make his own way without bowing and scraping to the political elite, and his genius, incomprehensible as it may seem to us now, too often went unremarked.
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With a wealth of famous tunes and meticulous characterisation, Don Giovanni is an undisputed masterpiece created by Mozart out of a thread-bare fairground gig. The Don – for whom both sexes have a sneaking admiration – gatecrashes proceedings, serenading and seducing as he goes. As wily as he is insatiable, he outclasses all who are out to get him, including a jealous bumpkin and the down-at-heel Elvira. But a stone statue seals his doom and drags him down into hellfire. From the Champagne aria and the ballroom scene to the melodious arias of the three sopranos and the unctuous Ottavio, Don Giovanni is a thrilling drama that continues to delight audiences worldwide. Written by Michael Steen, author of the acclaimed The Lives and Times of the Great Composers, 'Short Guides to Great Operas' are concise, entertaining and easy to read books about opera. Each is an opera guide packed with useful information and informed opinion, helping to make you a truly knowledgeable opera-goer, and so maximising your enjoyment of a great musical experience. Other 'Short Guides to Great Operas' that you may enjoy include those on Così fan tutte, The Marriage of Figaro and The Barber of Seville.
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Although the story of Figaro's success in preventing the Count of Almaviva's seduction of his fiancée Susanna was politically explosive, it was tolerated in the court of the relatively enlightened Habsburg Emperor Joseph II. Mozart's opera, Le Nozze di Figaro, uses a libretto by Lorenzo da Ponte, and was premièred in Vienna in 1786. It was based on a famous play by the Frenchman Beaumarchais, a sequel to The Barber of Seville. Characters including Figaro, the Countess, Cherubino the page, Doctor Bartolo and Barberina the gardener's daughter sing a succession of famous arias – such as Se vuol ballare, Non più andrai, Dove sono, Porgi amor and Voi, che sapete, to mention but a few – in which Mozart's musical characterisation is legendary. Written by Michael Steen, author of the acclaimed The Lives and Times of the Great Composers, 'Short Guides to Great Operas' are concise, entertaining and easy to read books about opera. Each is an opera guide packed with useful information and informed opinion, helping to make you a truly knowledgeable opera-goer, and so maximising your enjoyment of a great musical experience. Other 'Short Guides to Great Operas' that you may enjoy include Così fan tutte, Don Giovanni and The Barber of Seville.
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Even Salieri, the notorious villain of Peter Shaffer's drama Amadeus, admired Mozart's comic opera Die Zauberflöte (The Magic Flute), which was premièred in Vienna a few weeks before Mozart's death in December 1791. Though sometimes enjoyed as a children's opera, this is not a pantomime: rooted in Freemasonry, the Enlightenment and the Age of Reason, it promotes the ideals of progress, virtue, self-betterment, truth and justice. Tamino, an Egyptian Prince, has a magic flute to take him and his beloved Pamina through trials of constancy and endurance, before they can attain ultimate bliss. Critics have long been confounded as to how Mozart could present such a light-hearted yet deep masterpiece, with such wonderful music, while being in deep financial trouble. There is great stylistic diversity. The sensationally difficult part of the Queen of the Night comes from the Italian opera tradition, while the comical bird catcher Papageno (originally performed by the librettist Schikaneder) sings in the popular style of the Viennese suburbs. Such is the beauty of the music that Bernard Shaw thought that the O Isis and Osiris, of Sarastro, the High Priest, was fit to emerge from the mouth of a god. Written by Michael Steen, author of the acclaimed The Lives and Times of the Great Composers, 'Short Guides to Great Operas' are concise, entertaining and easy to read. They are packed with useful information and informed opinion, helping to make you a truly knowledgeable opera-goer, and so maximising your enjoyment of a great musical experience. Other 'Short Guides to Great Operas' that you may enjoy include Don Giovanni, The Marriage of Figaro and Così fan tutte.
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E-book
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Puccini / Michael Steen. - [miejsce nieznane] : Icon Books : Legimi, 2014.
Forma i typ
Welcome to The Independent's new ebook series The Great Composers, covering fourteen of the giants of Western classical music. Extracted from Michael Steen's book The Lives and Times of the Great Composers, these concise guides, selected by The Independent's editorial team, explore the lives of composers as diverse as Mozart and Puccini, reaching from Bach to Brahms, set against the social, historical and political forces which affected them, to give a rounded portrait of what it was like to be alive and working as a musician at that time. Puccini and Verdi are unquestionably the two giants of 19th-century Italian grand opera. Like Verdi, Puccini knew what his audience wanted, and supplied it – in Puccini's case, a highly coloured world of sweeping emotion, melodrama shot through with a kind of sadism. His three greatest operas, La Bohème – the most popular opera ever written – Tosca and Madama Butterfly are invariably staged every year, while Turandot, La fanciulla del West, Manon Lescaut, and Gianni Schicchi appear only scarcely less often. Ever the hard-drinking, chain-smoking sportsman, Puccini had much of the raffish playboy about him. He bought himself fast cars, yachts named after the works whose proceeds financed them, and built a magnificent house at Torre del Largo where he continued his womanising under the jealous eye of his wife, Elvira. Michael Steen's narrative follows the progress of the small boy stealing the organ pipes of his village church on the rocky road to fame to become this larger-than-life figure. Supported for several years by his publisher Ricordi, Puccini's first real hit was Manon Lescaut, heavily influenced by Massenet. Subsequent success saw him joining the jet set, and travelling to England and America, his star only eclipsed by the First World War. But his appeal remains clear and direct, as the director Jonathan Miller says: 'I'm made to cry by Puccini and I never am by Verdi.'
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Puccini's obsession with detail ensured the success of La Bohème, his opera about the impoverished 'artistes' in Paris in the 1830s. Soon after its première, people started calling their baby daughters Mimi. The story of this seamstress, her hectic but fraught love affair with the poet Rodolfo and her tragic death from consumption (tuberculosis), never fail to touch the audience. Che gelida manina, Mi chiamano Mimì …, and O soave fanciulla have become some of the most popular operatic excerpts, sung by stars ranging from Callas to Gheorghiu, Caruso to Pavarotti. Written by Michael Steen, author of the acclaimed The Lives and Times of the Great Composers, 'Short Guides to Great Operas' are concise, entertaining and easy to read books about opera. Each is an opera guide packed with useful information and informed opinion, helping to make you a truly knowledgeable opera-goer, and so maximising your enjoyment of a great musical experience. Other 'Short Guides to Great Operas' that you may enjoy include Madama Butterfly, Tosca and Turandot.
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Butterfly is a delicate and impressionable geisha who thinks she has married Pinkerton, a US naval officer briefly stationed in Japan. Naive and loving as she is, she does not realise that for him the marriage is a sham, an extended 'date'. It's not long before he goes away, leaving her pregnant. Still, she trusts that he will return one fine day (Un bel dì). He does, but it is not the homecoming of which Madame Butterfly dreamed: she is devastated to discover that the callous Pinkerton is now married to an American girl. Heartbroken and despairing, Butterfly commits suicide in one of the most tragic and moving climaxes in opera. In this operatic masterpiece, Puccini depicts the clash of two cultures, weaving 'The Star-spangled Banner' throughout his music. The Humming Chorus, Ah! Dolce notte! ('Oh, night of rapture'), and the Flower Song join Un bel dì in any list of favourite tunes.Written by Michael Steen, author of the acclaimed The Lives and Times of the Great Composers, 'Short Guides to Great Operas' are concise, entertaining and easy to read books about opera. Each is an opera guide packed with useful information and informed opinion, helping to make you a truly knowledgeable opera-goer, and so maximising your enjoyment of a great musical experience.Other 'Short Guides to Great Operas' that you may enjoy include those on Tosca, La Bohème and Lucia di Lammermoor.
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Puccini's Tosca / Michael Steen. - [miejsce nieznane] : Icon Books : Legimi, 2013.
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Tosca's première in Rome in January 1900 was nearly disrupted by a terrorist threat to blow up Italy's King Umberto. Victorien Sardou had written the melodrama for the great actress Sarah Bernhardt. Giacomo Puccini's popular opera is a tale of sadism and brutality, torture, attempted rape, murder, an execution and two suicides. 'Realism' was in vogue: Mascagni's Cavalleria rusticana had been a great success, as had Leoncavallo's Pagliacci. With sharp practice, the publisher Giulio Ricordi obtained 'Tosca' for Puccini, who had already composed Manon Lescaut and La Bohème. The story, set in the Napoleonic, era was ideal for Puccini, a chain-smoker who enjoyed women, shooting birds, and high-speed motor cars. A political prisoner seeks sanctuary in the church where prima donna Floria Tosca's lover Cavaradossi, a role associated with Pavarotti, is painting a picture of Mary Magdalen. In Va, Tosca! the police chief Scarpia fantasises about Tosca during a Te Deum celebrating Napoleon's victory. Tosca stabs Scarpia following the famous operatic aria, Vissi d'arte, immortalised by Maria Callas on stage and in the film produced by Franco Zeffirelli. Awaiting death before dawn in the Castel Sant'Angelo, Cavaradossi sings the well-known arias E lucevan le stelle and O dolci mani. Tosca's attempt to save him comes to nothing. Written by Michael Steen, author of the acclaimed The Lives and Times of the Great Composers, 'Short Guides to Great Operas' are concise, entertaining and easy to read. They are packed with useful information and informed opinion, helping to make you a truly knowledgeable opera-goer, and so maximising your enjoyment of a great musical experience. Other 'Short Guides to Great Operas' that you may enjoy include La bohème, Madama Butterfly and Carmen.
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Rossini's La Cenerentola (or Cinderella) is one of the most popular comic operas in the classical repertoire – the timeless fairy tale about the triumph of virtue over snobbery. Its first performance at Rome's Teatro Valle in January 1817 – when the composer was not yet 25 – was the customary fiasco. More recently, audiences have laughed at Rossini's wit, gasped at the momentum of his crescendos and marvelled at dazzling coloratura from great sopranos such as Cecilia Bartoli. The opera moves at the same frantic pace at which Rossini worked to compose it. Written by Michael Steen, author of the acclaimed The Lives and Times of the Great Composers, 'Short Guides to Great Operas' are concise, entertaining and easy to read books about opera. Each is an opera guide packed with useful information and informed opinion, helping to make you a truly knowledgeable opera-goer, and so maximising your enjoyment of a great musical experience. Other 'Short Guides to Great Operas' that you may enjoy include The Magic Flute, L'Elisir d'Amore and La Traviata.
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The première in 1816 in Rome of Gioachino Rossini's famous opera was a fiasco comparable to those of Wagner's Tannhäuser and Bizet's Carmen. But Il barbiere di Siviglia was soon recognised as being among the greatest of comic operas, comparable to those of Mozart. Even Beethoven was enthusiastic. Figaro, Seville's barber, is confident of a good pay-off for facilitating the elopement of Rosina with the Count of Almaviva. Her guardian also has designs on her and her fortune. Who will get there first? The story is based on a comedy by the French playwright Beaumarchais, whose The Marriage of Figaro was used by Mozart. The Barber is packed with famous tunes, displaying Rossini's glittering coloratura, trademark crescendos and patter: Figaro's famous Largo al factotum and Zitti, zitti, piano, piano; the Count's serenade with guitar, Ecco ridente; Rosina's Singing Lesson and Una voce poco fa; Doctor Bartolo's patter song A un dottor; Don Basilio's La calunnia. These are just some of the ingredients of this feast of humour and good tunes. Written by Michael Steen, author of the acclaimed The Lives and Times of the Great Composers, 'Short Guides to Great Operas' are concise, entertaining and easy to read. They are packed with useful information and informed opinion, helping to make you a truly knowledgeable opera-goer, and so maximising your enjoyment of a great musical experience. Other 'Short Guides to Great Operas' that you may enjoy include The Marriage of Figaro, Così fan tutte and Lucia di Lammermoor.
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Schubert / Michael Steen. - [miejsce nieznane] : Icon Books : Legimi, 2014.
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Welcome to The Independent's new ebook series The Great Composers, covering fourteen of the giants of Western classical music. Extracted from Michael Steen's book The Lives and Times of the Great Composers, these concise guides, selected by The Independent's editorial team, explore the lives of composers as diverse as Mozart and Puccini, reaching from Bach to Brahms, set against the social, historical and political forces which affected them, to give a rounded portrait of what it was like to be alive and working as a musician at that time. In his short life of not quite 32 years – the briefest span of any first-rank composer – Schubert composed over 600 songs, showing a talent for word-setting which for many has never been equalled. However, while his songs gained gradual fame while he was alive, many of the works for which he is renowned were never performed in his lifetime, not even his Eighth Symphony, the Unfinished, or the Ninth Symphony, The Great C Major, which are so ubiquitous now. He was not lionised for the String Quintet in C, whose second movement Adagio remains one of the most requested pieces on Desert Island Discs. Nor did his exquisite quartets and piano music receive much recognition at the time. Michael Steen evokes Schubert's youth as the son of an impoverished schoolteacher and his life among a boisterous, arty set of friends living it up in the dazzling gaiety of early 19th-century Vienna. Their evening gatherings for an intoxicating mix of politics, conversation and music became known as Schubertiads. At 25 Schubert contracted syphilis and was to suffer ill health for the rest of his life, falling into the depression that is so heart-rendingly expressed in some of his works. Schubert died only a year and a half after Beethoven, having been a torch-bearer at his funeral. Even so, he remained prodigiously productive and those last years bequeathed some of his finest works.
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